Transition in The Quietus
Good company in Tristan Bath’s Spool’s Out column at The Quietus: In comparison, Brooklynite sound artist Billy Gomberg’s offering on Transition is a relatively peaceful affair. Deeper listening reveals ...
Good company in Tristan Bath’s Spool’s Out column at The Quietus: In comparison, Brooklynite sound artist Billy Gomberg’s offering on Transition is a relatively peaceful affair. Deeper listening reveals ...
Insightful and concise writeup from this PDX-based blog: The electro-acoustical ebb and muffled field recordings of Billy Gomberg’s Transition have a quiet intensity to them that feels preparatory to something. A ...
Insightful words from Bill Meyer at Dusted: “Removal, addition and space all come to mind while listening to these three pieces, which collectively run just under half an hour. —– The sounds all ...
Jason Cabaniss writes on Slight At That Contact for TMT Cerberus: “…cold electroacoustic tones numb the senses with a wall of hushed distortion…One could listen to escape the darkness that ...
Bill Meyer unpacks listening to Slight at the Contact for Dusted: “The lures to look elsewhere give the music’s sensual qualities an extra dimension, like lumps of paint built up and out from a canvas. But the ...